Tuesdays, 6-10 PM,
room 651, Fall 2004
Instructors: Howard
Besser & Ann Harris
Introduction to Moving Image
Archiving
& Preservation H72.1800
Nov 30 Access,
Curating, and Programming (HB)
see entire
syllabus
Assignments due before class:
Each student should read one article
from The
Moving Image 4:1, Spring 2004, pages 1-88, and be prepared to present a
short (5 min) summary to the rest of the class
Atkinson, Jane. AGCS
Occupational Profile: Programme Researcher: Broadcasting/film/video
At least 3 of the
papers from the March 2003
Toronto
Conference Terms
of Address: The Pedagogy and Politics of Film and Video Programming and
Curating
In Focus: a guide to
using films / by Linda
Blakaby,
Dan Georgakas and Barbara Margolis. NY: Cine Information, 1980.
American Film
Distribution: the changing
marketplace
/ by Suzanne Mary Donahue. MI: UMI Research Press, 1987
Noriega, Chon A. "On
curating," Wide Angle
Vol
XVII
nr 1-4 (1995); p 292-304
Gilmore, Geoff.
"Sundance's agenda,"
Scenario
Vol II
nr 3 (Fall 1996); p 4-5
Peary, Gerald. "Season
of the hunt; On the
practice
of film festival programming," American Film Vol XVI nr 10 (Nov-Dec
1991);
p 20
PaÔni,
Dominique. "Comme dans un
musee"
Journal
of Film Preservation no 53 (Nov 1996); p 8-11 (Argues that programming
in archives should be directed at building collections. Explores
current
explosion in film restorations within the context of archival
programming.)
MacDonald, Scott.
"Avant-garde at the
Flaherty,"
Wide
Angle Vol XVII nr 1-4 (1995); p 256-267
Besser,
Howard (1998). The Shape of
the 21st
Century
Library, in Milton Wolf et. al. (eds.), Information
Imagineering: Meeting at the Interface , Chicago: American Library
Association, pages 133-146
Moving Image Collections
(MIC) General
Information
Schiller, Daniel. (1988)
"How to think about
information."
In. V. Mosco and J. Wasko (eds.), The Political Economy of Information
(pp. 27-43). Madison, WI : University of Wisonsin Press. 1988
Lievrouw, L.A. (1994)
"Information Resources
and
Democracy:
Understanding the Paradox." Journal of the American Society for
Information
Science, 45(6), July, pp. 350-357
AMIA Compendium of Moving Image
Cataloging Practice, edited by
Abigail
Leab Martin and compiled by Jane D. Johnson, Linda Tadic, Linda Elkins,
Christine Lee, and Amy Wood. Society of American Archivists & AMIA,
2001. ca. 275 pp.
Archival Moving Image Materials: A
Cataloging Manual (AMIM2)
.
2nd
ed. revised by the AMIM Revision Committee, Motion Picture,
Broadcasting,
and Recorded Sound Division.Washington, D.C.: Library of Congress,
Cataloging
Distribution Service, 2000. 1 v. ISBN 0-8444-1008-X
Harrison, Harriet W. (comp. and ed.), for the Cataloging Commission of
the International Federation of Film Archives (FIAF). The
FIAF
Cataloging Rules for Film Archives. Film-Television-Sound Archive
Series:
Volume 1. München; London; New York; Paris: K.G. Saur, 1991
Topics
covered:
- Presenting and contextualizing
historical
material
- Programming a series
- Repurposing
- Issues of access
- Obtaining
moving image materials:
- How
does one find moving image collections? (Moving
Image
Gateway Project)
- What are sources for clips? For
ancillary materials?
- What do
you need to do research? General reference and
resources
(Pam
Bloom?)
- Types of
resources (biographical, film indexes, union
catalogs,
almanacs,
periodical indexes, trades, dictionaries, encyclopedias, review
compilations)
- What are
issues for historical research and reconstruction?
- How are
moving images and sound part of the larger visual
culture and
ways of looking and seeing? How does our understanding of visual
culture
impact our role in moving image archiving and preservation?
- Discussion
of Pamela Bloom's workshop earlier in the semester
Agenda:
- Current Events:
- SBC in
Deal With Microsoft to Provide TV on High-Speed Lines, NY Times,
Nov 17, 2004
- A Mambo
King in His Twilight, NY Times, Nov 28, 2004
- Four
Studios Give Backing to a Format for DVD's, NY Times, Nov 30, 2004
- Silent
movie star Harold Lloyd, king of the 3-D nude, SF Chronicle, Nov
21, 2004